But when buying into the world of cryptocurrencies, it can be difficult to determine what is real.
Consider this Twitter post from Mr. Prince on Jan. 6:
In fact, Distributed Gallery had no connection with the American artist. This virtual dealership and its “Ready Made Token” are instead a playful experiment devised by Olivier Sarrouy, a philosophy and sociology lecturer at the University Rennes 2 in France, along with three friends.
“We were trying to explore how a cryptocurrency could relate to scarcity in the art market,” Mr. Sarrouy, 32, said in a telephone interview. “It reinterpreted Marcel Duchamp’s gesture of the ready-made in a radical way.”
But why Richard Prince?
“To make a ready-made we needed a signature, but we were no one in the art world,” Mr. Sarrouy said, adding that he and his friends had chosen Richard Prince “because he is the king of appropriation art.”
“Our artwork has been created by our own Richard Prince,” he said. “And then there is the famous Richard Prince.”
The appropriation of this name was certainly mischievous, given that the “famous” Richard Prince continues to be involved in a lawsuit concerning his appropriation of an Instagram-sourced photograph for a 2014 exhibition. Adding further confusion, Mr. Prince’s most recent show of paintings at the Gladstone Gallery was titled “Ripple,” which also happens to the name of a high-rising cryptocurrency.
Mr. Prince declined to comment for this column.